陳信瑋

陳信瑋，未然空間負責人。畢業於東京藝術大學大學院美術研究科。從事藝術翻拍工作，國內外皆有多次的攝影合作經驗，包含台南美術館、新加坡藝術科學博物館、銀座MAISON HERMÈS，藝術家蔡國強、灰野敬二、鈴木ヒラク等。

自身作品多為探討記憶與資訊變遷之間的關係，透過時間及邏輯的絕對性來處理記憶本身的感性，並試圖讓觀者在非慣性的閱讀方式下重新去想像攝影背後的意義。近年積極投入創新空間的實踐，以第五代消費時代為基礎，結合過去在藝術實踐中所得經驗，給藝術空間營運提出新方針。

CHEN HSIN-WEI, DIRECTOR OF MIZEN SPACE, HOLDS A MASTER’S DEGREE FROM THE GRADUATE SCHOOL OF FINE ARTS AT TOKYO UNIVERSITY OF THE ARTS. HE HAS WORKED EXTENSIVELY IN ART DOCUMENTATION PHOTOGRAPHY, COLLABORATING WITH MUSEUMS, ART INSTITUTIONS, AND FESTIVALS BOTH IN TAIWAN AND ABROAD, INCLUDING THE TAINAN ART MUSEUM, ARTSCIENCE MUSEUM IN SINGAPORE, GINZA MAISON HERMÈS, AS WELL AS ARTISTS SUCH AS CAI GUO-QIANG, KEIJI HAINO, AND HIRAKU SUZUKI.

HIS OWN ARTISTIC PRACTICE EXPLORES THE RELATIONSHIP BETWEEN MEMORY AND THE TRANSFORMATION OF INFORMATION, APPROACHING THE SENSIBILITY OF MEMORY THROUGH THE ABSOLUTENESS OF TIME AND LOGIC. BY DOING SO, HE SEEKS TO INVITE VIEWERS TO REIMAGINE THE MEANING BEHIND PHOTOGRAPHY THROUGH NON-HABITUAL MODES OF READING. IN RECENT YEARS, HE HAS BEEN ACTIVELY ENGAGED IN THE CREATION OF INNOVATIVE SPACES. DRAWING ON HIS EXPERIENCE IN ARTISTIC PRACTICE AND TAKING THE CHARACTERISTICS OF THE FIFTH CONSUMER GENERATION AS A FOUNDATION, HE PROPOSES NEW APPROACHES TO THE OPERATION AND DEVELOPMENT OF ART SPACES.